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c. 1445 – May 17, 1510. Italian painter.

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Antonio Carvalho de Silva Porto
Still Life with small statue of Pedro I of Brazil

ID: 96568

Antonio Carvalho de Silva Porto Still Life with small statue of Pedro I of Brazil
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Antonio Carvalho de Silva Porto Still Life with small statue of Pedro I of Brazil


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Antonio Carvalho de Silva Porto

(Porto, 11 November 1850 - Porto, 11 June 1893) was a Portuguese naturalist painter. Born in Porto, he studied there under João Antenio Correia and T. Furtado, then continued his studies in Paris and Rome. While in Paris he exhibited his work in the Salon and in the World´s Fair of 1878. In Paris, he studied with his friend João Marques de Oliveira, where they were pupils of Adolphe Yvon and Alexandre Cabanel. They became followers of the naturalist Barbizon School, and brought the new school of painting to Portugal, when they returned in 1879. Silva Porto become one of the most acclaimed naturalist painters of his generation, showing the heritage of Jean-Baptiste Camille Corot and Charles-François Daubigny. Secondary effects from impressionism can sometimes be found in his paintings.   Related Paintings of Antonio Carvalho de Silva Porto :. | The daughters of king Danaus pour water into a bottomless vessel | The city of Paris | Highwaymen attacking a Coach | lady bampfylde | Stoning of St Stephen |
Related Artists:
delafontaine
född 8 juli 1621 i Chateau-Thierry, död 13 april 1695 i Paris, var en fransk författare.
Charles Angrand
French Pointillist Painter, 1854-1926.French painter. He was trained at the Acad?mie de Peinture et de Dessin in Rouen, where he won prizes. Although he failed to gain entry to the Ecole des Beaux-Arts in Paris, Angrand began to win a controversial local reputation for canvases in a loosely Impressionist manner. In 1882 he secured a post as a schoolteacher at the Coll?ge Chaptal in Paris. With this security he was able to make contacts in progressive artistic circles, and in 1884 he became a founder-member of the Salon des Ind?pendants. His paintings of this period depict rural interiors and kitchen gardens, combining the broken brushwork of Monet and Camille Pissarro with the tonal structure of Bastien-Lepage (e.g. In the Garden, 1884; priv. col., see 1979 exh. cat., p. 27).
Antoine Leon Morel-Fatio
French, 1810-1871






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